Continuing our odyssey into the lesser travelled byways of the movie business...
Stanley opens with shots of resting alligators and a strange man wandering around (he's wearing a bizarre top), he stops, cuts his leg and tries to get something out of it. Unsuccessfully. The credits roll with a very 70's singer/song writer track. I guess we're supposed to think this chap is at one with nature. I'm getting a bit bored of the shots of american wildlife bouncing through glades/forests/rivers. The man talks to his snake. This is not a euphemism. We learn he's a native american and therefore *at one with nature*. The director cannot stress this enough. Right on.
There are a lot of snakes. Indy wouldn't be happy. Finally some conversation, and guess what, it's exposition - the white man has wronged him. He doesn't want to rejoin his tribe, and now there are white men coming to bother him, we've also learnt his name is Tim. Woohoo more exposition and racist background. I'm sure the writer & director felt it was very 'aware'.
Ahhh he collects snakes so the venom can be used for treatment. And now he wants to avenge his fathers murder. With snakes. It's fair to say this movie is not rocking along. I'd make a pun about slithering along, but snakes do move very quickly...
This movie clocks in around 1h45min. It feels like 3-4 hours.
21 November 2015
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